Mom duties while Elastigirl is out saving the world. There's a lot to love here, first and foremost Bob pulling Mr. And then there's Jack-Jack (Eli Fucile), a baby unable to control his emerging coterie of powers his outbursts provide a challenge for fan-favorite costume-designer Edna (writer-director Brad Bird). In the midst of all this, Violet (Sarah Vowell) is struggling with boys at school after a mind-erasure ruins a date, while Dash (Huck Milner) is struggling not to beat all the boys at school in athletic competitions, given his super-speed. The Deavors hope that body cams worn by the Incredibles will show the masses and their leaders that supers can benefit society, which, in turn, will spark a movement to decriminalize superhero activity-a pressing concern, given the emergence of new super villain The Screenslaver (Bill Wise). Nelson) is forced to juggle the kids when Helen/Elastigirl (Holly Hunter) is offered a professional superhero gig by Winston and Evelyn Deavor (Bob Odenkirk and Catherine Keener, respectively), a brother-sister industrialist duo. The Incredibles 2 is a bit more concerned with the inner lives of its heroes, and a bit more interested in how family dynamics might shift for the super-powered. As such, it has always felt to me as though it is something of an outlier in the Pixar canon: as compelling and well constructed as the rest of the studio's legendary body of work, but maybe a little … chilly. That being said, the struggle at the center of The Incredibles was more intellectual than passionate. I had never known I needed a mash up of Fantastic Four, Watchmen, and Atlas Shrugged, but I was quite happy with the result. There's something stirring about the frustration that a family of superheroes feels at being forced to hide their powers from a world that fears them, government agents who want to imprison them, and legal leeches who want to sue them. This isn't to say that the film is entirely absent emotional beats.
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